Tia Tizzianni – Part 2 Mistress Dream And Bailey Anal Hook And Assgasms
Tia Tizzianni steps in as Mistress Dream right off the bat—tall, toned, and all business in her black leather harness, barking orders like she owns the place. Bailey, the sub, is on her knees immediately, but Tia isn’t messing around with foreplay. She shoves Bailey face-first onto the couch, spreads her cheeks, and starts working that tight ass with her fingers first—no lube, just raw, sloppy prep. You can tell Bailey’s not used to this kind of rough treatment; she’s squirming, but Tia’s got zero patience for hesitation. The way she grips Bailey’s hips while finger-fucking her ass, stretching her out before even thinking about penetration, is brutal but effective. The camera lingers on Bailey’s flushed face, her muffled moans muffled by the couch cushions, while Tia lines herself up for the first brutal thrust. No slow buildup—just a hard, deep plunge that makes Bailey gasp. Tia’s not even trying to be gentle; she’s fucking Bailey’s ass like it’s her job, and Bailey’s taking it, her body adjusting to the stretch with every rough stroke. Then things escalate. Tia pulls out, grabs a strap-on, and Bailey’s on all fours in seconds, her ass in the air, taking whatever Tia wants to give her. But Tia’s not done. She yanks Bailey up by her hair, spins her around, and shoves her onto the stool, legs spread wide. Bailey’s whimpering now, but Tia’s got a second toy in hand—another strap-on, this one bigger—and she’s not asking for permission. The double anal is messy, sloppy, and *loud*. Bailey’s ass is taking a beating, and Tia’s not holding back. The way she slams into her, the way Bailey’s body betrays her with every choked sob, it’s not just sex—it’s domination. And when Tia finally lets Bailey collapse, it’s not with a gentle hand or a kind word. She’s still in control, still calling the shots, even as Bailey’s gasping for air. The whole scene’s a power trip, no frills, no fake tenderness—just two women locked in a battle of wills, and Tia’s winning.